Today we’d like to begin discussing something that affects all writers, self-published or otherwise. Yeah, you know what it is already: writer’s block.
Why are there so many articles on writer’s block? Probably because writer’s block is to authors what a pulled muscle is to an athlete: one of the common denominators of the trade, something every participant can identify with. And like that pulled muscle, it’s one of the most frustrating.
So beginning today, we kick off a four-part series of tips for beating writer’s block. Let’s get started!
Remember what writer’s block is, and isn’t.
“Writer’s block.” It sounds so impenetrable, doesn’t it? And that’s part of the problem. But it’s not a wall or a force field or a dead-end street. It’s just a temporary inability for a writer to decide on the best direction for their story. Realize that there IS a best direction; you just haven’t figured it out yet. Relax!
Remember, you’re in good company!
Charles Dickens has had it. Ditto for Stephen King, John Grisham, J. K. Rowling, Tom Clancy, Stephanie Meyer, and James Patterson. You name the author, and it’s guaranteed that (s)he has stared at the monitor, blank sheet of paper, or piece of parchment and thought, “I have no idea what to write.”
And you know what? They went on to write classics and bestsellers. A problem doesn’t seem so insurmountable when you see other people solve it, does it? Well, every writer in the history of the craft has solved it; you will too.
Lower your standards.
Poet William Stafford perhaps said it best: “There’s no such thing as writer’s block for writers whose standards are low enough.” He wasn’t promoting substandard writing, of course. The point is, it’s common for writers to set unreasonably high standards that aren’t achievable on a consistent basis. Remember, a lot of your story is going to manifest itself in the rewrite, not the first draft. The important thing is to just keep moving forward; you can always come back and fix that “clunky” scene later!
So you’ve already written “A,” “B,” and “C,” and you have “F” and “G” plotted out. But you’re stuck on “D” and “E,” and have no idea what to do with them. Sure, you can pound your head on the desk until you figure it out, or you can just skip ahead for now! Jump to the next place in your story where you’re on “sure footing,” and start writing from there. You can always figure out the gaps later–and you will!
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